Minggu, 13 Oktober 2013

Ampersand Revisited (National Poetry Series), by Simeon Berry

Ampersand Revisited (National Poetry Series), by Simeon Berry

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Ampersand Revisited (National Poetry Series), by Simeon Berry

Ampersand Revisited (National Poetry Series), by Simeon Berry



Ampersand Revisited (National Poetry Series), by Simeon Berry

PDF Ebook Ampersand Revisited (National Poetry Series), by Simeon Berry

Berry's Ampersand Revisted is a lurid, lyrical trio of open prose poems marking up the blueprint of familial myth-making.

Ampersand Revisited (National Poetry Series), by Simeon Berry

  • Amazon Sales Rank: #1980419 in Books
  • Brand: Berry, Simeon
  • Published on: 2015-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .30" w x 6.80" l, .0 pounds
  • Binding: Paperback
  • 96 pages
Ampersand Revisited (National Poetry Series), by Simeon Berry

Review "Simeon Berry is an alchemist. He unlatches memory from time; transforms the cold silence of observation into flashing thought. Here, boxed moments are packed and unpacked, shuffled and re-inhabited. Berry revisits his personal history with both inscription and divination, in an attempt to bring his understanding into the present tense. In Ampersand Revisited, the blueprints of the past are still being drawn, and time is no longer obligated to keep its promise of inflexibility."—Richard Siken"In Ampersand Revisited, Simeon Berry offers up a poetic bildungsroman of dazzling brio and brash inventiveness, a worthy successor to some of the great contemporary efforts in this mode: one hears echoes, among others, of Lowell’s Life Studies, Hejinian’s My Life and Brainard’s I Remember. Like these works, it is a work of formal risk-taking, of pathos alternating with wry humor, and, ultimately, of self-regard transfiguring to a hard-won self-awareness. Debut collections as accomplished at this are a very rare thing indeed."—David Wojahn

From the Inside Flap Ampersand Revisited is an inverted Odyssey, etched in searing—downright entomological—precision."Ampersand Revisited tracks a father’s retreat from occult ways of knowing through the wounded meshwork of the son’s very grammar: it is a kind of Odyssey, inverted. Magical powers—ancient craftiness—might make the epic hero, but they are an impossible burden to live with in the Manichean, and very American, riddle that forges Ampersand’s poeisis. Crossed & re-crossed with sex & suicide, school & mystery school, Ampersand Revisited riddles the drama not so much of the father’s departure, but of his return. It is the vivid, laconic gloss of the ravages of mystical knowing. The son seeks the father through literature and sex while the mother does her Penelope work—her oblivion and recollection—by taking up with her coke-dealing suitor. And somehow a boy becomes a man. Ampersand Revisited does not speak through a Homeric mouth, but instead, through the Mallarmean page: everything in it is marked, marled by textuality: “the vague, diacritical marks of used condoms,” “half-finished light like the burned church of an idea,” “the spent hexagram of cigarettes & withered latex,” or here, why not enjoy a sentence in its entirety: “The low afternoon light solders the sliding glass door into a stab of gold circuitry you step through, wincing, as you encounter the aphasic grammar of the falling snow.”Either language is the error out of which we proceed or the “warped platelet” through which Totality is given to us, and according to which we chart and gloss the intricate incommensurables that either corrupt or enlighten—but I should not say or. I should say &: “Perhaps the reason why I’ve loved the direct address all these years / is because you can / talk to the beloved & the reader / without each one really knowing / about the other.”Ampersand Revisited is a haunting, an original achievement: in its tenderness; in its exhausted, even sore limpidity, I find more & more surprises, more gifts. I have read it again & again.—Ariana Reines

About the Author Simeon Berry has been an Associate Editor for Ploughshares, and won a Massachusetts Cultural Council Individual Artist Grant and a Career Chapter Award from the National Society of Arts and Letters. His work has appeared in Crazyhorse, AGNI, Colorado Review, Blackbird, DIAGRAM, The Iowa Review, American Letters & Commentary, and many other journals. His second book, Monograph, won the 2014 National Poetry Series (University of Georgia Press). He lives in Somerville, Massachusetts.


Ampersand Revisited (National Poetry Series), by Simeon Berry

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Most helpful customer reviews

0 of 0 people found the following review helpful. Thank you, NPS. By TheBoyNextDoor Thank goodness for the National Poetry Series, ensuring beautiful works such as this one will always have a place in the published world. The imagery in this collection is so thick that your mind noticeably slows at times to appropriately wade through Berry's words. At the risk of judging a book by its cover, the front image sums up the collection well: beautiful, unexpected.

0 of 0 people found the following review helpful. Utterly magical By Wendy Coulter While I see hints of Andrew Hudgins in this remarkable review, Mr. Berry has created his very own voice of loss & hope. Worth the purchase price? The book brings me laughter & tears, & who can put a price on that.The poetry has been edited into fine cuts. Open, feel the empty space of awkward desire & the aches therein, & let Berry's music soothe your tired soul

0 of 0 people found the following review helpful. Simeon Berry's "Ampersand Revisited" walks the tightrope between wicked wittiness ... By Philip J. Metres III Simeon Berry's "Ampersand Revisited" walks the tightrope between wicked wittiness and naked pathos, in this bildungsroman of an open soul amid the wreckage of growing up, littered with astral auras and LSD, broken marriages and psychic distress.

See all 5 customer reviews... Ampersand Revisited (National Poetry Series), by Simeon Berry


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Ampersand Revisited (National Poetry Series), by Simeon Berry
Ampersand Revisited (National Poetry Series), by Simeon Berry

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