Jumat, 15 Mei 2015

Tree Heresies: Poems, by William Wright

Tree Heresies: Poems, by William Wright

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Tree Heresies: Poems, by William Wright

Tree Heresies: Poems, by William Wright



Tree Heresies: Poems, by William Wright

Best PDF Ebook Online Tree Heresies: Poems, by William Wright

William Wright's eighth collection of poems is an expansive personal journey that includes poems about subjects as varied as a farm woman forsaken by her husband, yellow jackets, insomnia, a mountain witch, salt marshes, a ditch filled with rainwater, and even a post-apocalyptic portrait of the last person on Earth. Beginning with "Prologue," a piece that embeds a kaleidoscopic, novel-like vision of a small agricultural town and a few of its inhabitants, these poems capture the exterior world and recontextualize its many forms through a dreamlike logic, harnessing radiant imagery and strong aural texture through lines and words that stir both mind and heart. Here, Wright reveals how the most luminous forms often dwell in even the darkest subjects and images.

Tree Heresies: Poems, by William Wright

  • Amazon Sales Rank: #535323 in Books
  • Brand: Wright, William
  • Published on: 2015-05-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x .30" w x 6.00" l, .0 pounds
  • Binding: Perfect Paperback
  • 77 pages
Tree Heresies: Poems, by William Wright

About the Author William Wright is author of seven other collections of poems, three of which are full-length works, including Night Field Anecdote and Bledsoe. He received degrees from the University of Southern Mississippi (PhD), Sam Houston State University (MA), and the University of South Carolina (BA). Wright is series editor of the multi-volume The Southern Poetry Anthology (Texas Review Press) and assistant editor for Shenandoah. He is coeditor of the forthcoming Hard Lines: Rough South Poetry.


Tree Heresies: Poems, by William Wright

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2 of 2 people found the following review helpful. Moving, thoughtful work By Thomas A. Holmes In his eighth poetry collection, TREE HERESIES, William Wright offers a weighted sense of loss through a series of predominantly lyric works paying careful attention to natural and rural settings. The poems reflect a contemplative reverence for a fully articulated, integrated ecosystem—marveling with emotional reserve, making respectful appreciation. At the same time, as the title suggests, the poems frequently note how its personae have fallen short of the stewardship which would indicate the thorough devotion to the land around them; after all, what is a garden but an attempt to impose a human model onto life that would otherwise face only natural restrictions? We find repeated images of falling just short of balance, the remains of a bird on the window sill of an attic window, the pervasive scent of rotting windfall fruit, the resented unproductivity of sleep. Wright avoids easy mournful nostalgia of a lost past, instead expressing a realization of loss, sometimes in the moment of keenest appreciation, in poems ranging from a persona’s poignant understanding of a distant experience to the quotidian, uneventful activities of the earth’s last man.Wright offers keen sensory imagery throughout this volume. Notice, for example, his description of a sound familiar to many of us:Pines gossip,rumor built from sounds of sea-tides,whisper-snaps and collapses, then slow givings-into wind. (“Nightfall”)It’s a tricky pairing of metaphor, tying human frailty to the pines’ movement, animated by wind in a motion resembling global forces. Wright manages this unforced shift of perspective from the specific to the universal with ease many times, drawing a subtle claim of unity forgotten until accepted by a slight reminder. “. . . there is no secret order / of moth or plum, chimney / or bone,” he writes in “Nightmare, Revised,” suggesting that our curious attention will help to bring out revelations.Wright demonstrates this attention through rich language. Another Amazon reviewer for this book notes that Wright’s work shares characteristics with that of Cormac McCarthy, and I agree. In “Jack, Snake-bitten, 1937,” for example, we find a passage of observant precision in the description of the title character’s delirium:night-splay of primrose and jasmine that was not therebefore his fever forced these false blooms’ rapid growthover the pine and pennywort that wereIn the same poem, moreover, Wright alternates between the speaker’s voice and Jack’s voice, applying the familiar Faulknerian device of expressing the speaker’s semi-articulate bewilderment from a higher perspective, referring to ferns as “(their carboniferous tongues scraping /sky and the gliding-past / of his haggard eyes),” reflecting the experience that Jack later describes as “Maybe I come a tornado / and wing through yonder.” One cannot help but notice that Wright, like Robert Morgan, blends natural and scientific terms seamlessly, forcing readers to acknowledge the modern world’s intrusion on sullied nature, juxtapositions like “the sweet-noxious specter of fruit syrup / and pesticides,” and “his feet stirring // over one quintillion atoms / in each square inch of minnow . . . .” Wright aspires to and meets high standards in this collection.In sum, William Wright’s TREE HERESIES has an emotional resonance and intellectual depth that rewards repeating readings, avoiding nostalgia while grasping a pervasive sense of lost opportunity. I consider it an admirable volume.

2 of 2 people found the following review helpful. beautifully crafted, inspired and stunning By Dan Corrie William Wright’s Tree Heresies is among our time’s most remarkable and memorable books of poetry. There is a haunting vividness to its imagery: “A gray leaf enshrouds the earth . . . When the attic door collapsed from the ceiling, / we looked up into that rectangular dark and smelled / the musk of years weep down into the lit spaces . . . wind drags the alphabet of nothing / and everything through bent trees. . . .” The poetry is both utterly clear and mesmerizing, shifting between austerity of statement and a lavish abandon amping into the sonically pyrotechnic, often rife with closely detailed and savored beauty of the natural world: “. . . sweet-rot, flowery / life-dark as a pond floor -- / their fruit felled, wet, fat, / half-black, half-green in slack grass / sugared in bees and calyx sap, / where blue squill and fern lift / to a bedraggled sun / from this pocked ground, / its mosses bright, this vanishing, / and later, starblown night.” The poetry is humid and lush with Southern dilapidation and flagrant rebirth: “Trash-richness // growing shoreward, piling up grass banks gone toxic, / only to collapse again into this smutty stew . . . .” Wright’s poems enclose the reader in an archetypal, gothic strangeness of a mythic reality: “I smelled wood smoke / on the wind and saw someone sleepwalking / far out on the hill, // their hair blowing wildly as fire / without light.” Even in its dreamiest passages, Wright’s poetry heightens our perception of our world around us and within us in ways only myth and dream can, capturing “[m]oments lost / in death and beauty, death and beauty.” Tree Heresies is original, beautifully crafted, inspired and stunning.

2 of 2 people found the following review helpful. Dark, Gorgeous, Persistent By Doug Fir I loved reading Tree Heresies. The night, the underground, the crepuscular worlds are persistently beautiful. Wright marries pain with beauty, and thus the book touches the sublime. Sometimes the silences are hard and exactly what we need to hear.If you love the prose of Cormac McCarthy, you'll love the poetry of William Wright. Also, "Salt Marsh" conjured James Dickey's "At Darien Bridge" for me and "Boyhood Trapped Behind the Eyelids" Bradbury's "Dandelion Wine." The poems are tonally variegated, even as a common thread weaves throughout.But it is the "snake skull" in Wright's "History of the Last Man" that I'll always remember from these pages. This book brought to mind something Emily Dickinson wrote: “Nature is a haunted house--but Art--is a house that tries to be haunted." In Tree Heresies, Wright has fulfilled Dickinson's vision of art.

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Tree Heresies: Poems, by William Wright

Tree Heresies: Poems, by William Wright
Tree Heresies: Poems, by William Wright

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